ROSEMARIE BALLARD
wRITER - rEVIEWER
"Wower" the clown
Pilates' Wizard ... BRUNO BOSARDI
Per Rosemarie Ballard
Per Rosemarie & Bill Ballard:
What an amazing community we have here in San Diego - Especially the theater community, and you will learn why! My friend of more than 30 years, Bruno Bosardi is probably one of the expert PILATES instructors/practitioners in San Diego. He not only was trained, but he also trained many other people. He started working for/with others, but in the past few years, he has opened his own PILATES studio. It took years to purchase all of the equipment - and, I believe it cost more than $75,000.00.
Bruno’s first love is dance. He has become more interested in acting and singing at present. He studies voice with Joni Wilson, and has become an actor/dancer/dance captain for the Coronado Playhouse. Further, he has been in several productions, including Cinderella, Best Little Whorehouse in Texas, A Chorus Line and Joseph & the Technicolor Dream Coat.
The picture below is Bruno as dance captain Larry in A Choirs Line.
What an amazing community we have here in San Diego - Especially the theater community, and you will learn why! My friend of more than 30 years, Bruno Bosardi is probably one of the expert PILATES instructors/practitioners in San Diego. He not only was trained, but he also trained many other people. He started working for/with others, but in the past few years, he has opened his own PILATES studio. It took years to purchase all of the equipment - and, I believe it cost more than $75,000.00.
Bruno’s first love is dance. He has become more interested in acting and singing at present. He studies voice with Joni Wilson, and has become an actor/dancer/dance captain for the Coronado Playhouse. Further, he has been in several productions, including Cinderella, Best Little Whorehouse in Texas, A Chorus Line and Joseph & the Technicolor Dream Coat.
The picture below is Bruno as dance captain Larry in A Choirs Line.
Here is what happened:
After the rains his studio and apartment at the bottom of the hill got completely flooded (3 to 4 feet of water & mud and junk).
His equipment pretty much got destroyed.
After the rains his studio and apartment at the bottom of the hill got completely flooded (3 to 4 feet of water & mud and junk).
His equipment pretty much got destroyed.
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Bruno Bosardi
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Don Smith, Jim Thornhill, and Tobi Pavlas on December 7, 2018 created GoFundMe page and have received $21,348.00 to help him rebuild his business and that’s amazing. But, that wasn’t the end of it! The Coronado Playhouse in Coronado California stepped-up, and they put on a fundraiser for Bruno on December 29th at their theater. It was a cabaret show. Many, many, many, good singers, a dancer, and some really funny people entertained a packed house. At this point the Coronado Playhouse has raised more than $5000 toward helping Bruno. This is a very special person, and when you’re 'special' in the world, sometimes the world lets you know it. This is one of those situations. A good man with a great heart, who lost almost everything in his business, has been helped by the community, and the theater community to rebuild his business.
Now, when you understand that his business is all about helping people, to feel more physically well, keep their bodies in good shape, you can understand where and why the help comes in. It’s fabulous, that he is now getting kind of payback for his goodness. I told him, the universe must love him like I do. The unfortunate thing, is that the City of San Diego could have done their part to keep the storm drains cleaned. The drains for these apartments, are to small to handle the amount of water gushing down the hill.
Bad planning on the part of the developer/builder and the city. Shame, Shame!
Here is a testimony from his niece, Lily. I imagine she is one of many people he has helped along the way.
She wrote and posted this on Facebook:
Bad planning on the part of the developer/builder and the city. Shame, Shame!
Here is a testimony from his niece, Lily. I imagine she is one of many people he has helped along the way.
She wrote and posted this on Facebook:
“If you know me, you know my Uncle Bruno is my ♥️ - he has raised me as his own daughter, and has been one of the most influential people in the shaping of who I am. I honestly do not know what I would have done growing-up without him. He got me into 'after school activities', and paid for them out of his own pocket ... dance, music, movies, theatre ... you name it. My confidence & work ethic is 100% due, to him believing in me & he has never once, not been my #1 go to human. We all deserve another soul in our lives that is our rock, our compass, and our balance beam - Bruno is mine, and I know he is to countless others. He is currently without a home or even a mattress … regular insurance does not cover the extensive damage that was caused by this flood. Please help if you can …. If you have time & are able to help clean, then please message me. If you have photos he’d like, I will print them out, just send them to me. If you’d like to donate - & yes even a small donation makes a big difference. Anyone that knows Bruno, knows he has literally given the shirt off his back to help others - now it’s our turn to help him"
“If you know me, you know my Uncle Bruno is my ♥️ - he has raised me as his own daughter, and has been one of the most influential people in the shaping of who I am. I honestly do not know what I would have done growing-up without him. He got me into 'after school activities', and paid for them out of his own pocket ... dance, music, movies, theatre ... you name it. My confidence & work ethic is 100% due, to him believing in me & he has never once, not been my #1 go to human. We all deserve another soul in our lives that is our rock, our compass, and our balance beam - Bruno is mine, and I know he is to countless others. He is currently without a home or even a mattress … regular insurance does not cover the extensive damage that was caused by this flood. Please help if you can …. If you have time & are able to help clean, then please message me. If you have photos he’d like, I will print them out, just send them to me. If you’d like to donate - & yes even a small donation makes a big difference. Anyone that knows Bruno, knows he has literally given the shirt off his back to help others - now it’s our turn to help him"
Bruno wrote: “On the 8th of December we had heavy rains here in San Diego. My home and my Pilates Studio got flooded. It was a complete loss. I was devastated. I could not rap my head around what had happened. Right away my friends started helping me. My friend Don set up a GoFundMe page. My niece got involved from the east coast, and got me on the news, and on a radio station. So out of this, I feel so much generosity from people that I've worked with, and from people that I've helped over the years. The Coronado Playhouse decided to do a benefit for me in a cabaret-style, having people come and sing, and it was organized by my friends Chris and Kathy from the Playhouse. I can't tell you the amount of generosity and blessing that I feel from all of this. It's been overwhelming - and I feel very blessed."
CORONADO Playhouse
You can hear & see him live at the link below:
https://www.facebook.com/bruno.bosardi/videos/2000094976692627/?epa=SEARCH_BOX
https://www.facebook.com/bruno.bosardi/videos/2000094976692627/?epa=SEARCH_BOX
We all deserve another soul in our lives that is our rock, our compass, our balance beam, Bruno is mine, and I know he is to countless others. Last Thursday, the storm in San Diego became so intense it broke the door, and flooded into his home & business - completely wiping-out every single thing he has worked for the last 30 years. Everything was underwater in minutes - personal items, treasured photos, clothes, his tools of trade, all his Pilates, gyrotonic, and all his gym equipment was destroyed. He is currently without a home or even mattress, and only the clothes he had on. Insurance does not cover the extensive damage that was caused by this flood. Please help if you can, if you have any questions, call or message me. If you have time & are able to help clean, please message me. If you have photos he’d like, I will print them out just send them to me. If you’d like to donate - and yes, even a small donation makes a big difference. Anyone that knows Bruno, knows he has literally given the shirt off his back to help others - now it’s our turn to help him.
In conclusion: "I am also overwhelmed with the generosity of our community - what an amazing place to live and work."
Bruno could still use more funds, but now, has a great start on rebuilding his life.
You can still donate to Bruno by contacting The Coronado Playhouse at Box Office at 619-435-4856,
or their GoFundMe page:
https://www.gofundme.com/6gw0hmg? utm_source=facebook&utm_medium=social&utm_campaign=fb_dn_postdonat_r&fbclid=IwAR3CTBGx1-JjrSatDZbS4u9sSx1gWvQV9OuptfQCnPR-S2ZVzik43o2c1o8
Bruno could still use more funds, but now, has a great start on rebuilding his life.
You can still donate to Bruno by contacting The Coronado Playhouse at Box Office at 619-435-4856,
or their GoFundMe page:
https://www.gofundme.com/6gw0hmg? utm_source=facebook&utm_medium=social&utm_campaign=fb_dn_postdonat_r&fbclid=IwAR3CTBGx1-JjrSatDZbS4u9sSx1gWvQV9OuptfQCnPR-S2ZVzik43o2c1o8
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SD Dance Theatre:
Presents . . .
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Per Rosemarie Ballard ("WOWER")
It was no surprise to me that TROLLEY DANCES 2018, was another successful and wonderful experience for myself and for all who attended. Not only am I the writer of this article, but I also greeted and enlightened the children with a short pantomime workshop, for several groups, before the first dance performance.
I got on the trolley in Chula Vista on E Street on the Blue Line, then transferred to the Green Line heading for Hazard Center. As I was making my transfer, a bunch of children saw me and I got a super warm welcome. These children were special needs, and we had a ball on the trolley. Making faces and teaching them how to do some pantomime movements. So much fun for me and them as well! We separated company once we got to Hazard Center.
There were children of all ages from different school districts there. They were excited to have a new experience,
and they were mesmerized by the dancers and by my workshop as well.
Per Rosemarie Ballard ("WOWER")
It was no surprise to me that TROLLEY DANCES 2018, was another successful and wonderful experience for myself and for all who attended. Not only am I the writer of this article, but I also greeted and enlightened the children with a short pantomime workshop, for several groups, before the first dance performance.
I got on the trolley in Chula Vista on E Street on the Blue Line, then transferred to the Green Line heading for Hazard Center. As I was making my transfer, a bunch of children saw me and I got a super warm welcome. These children were special needs, and we had a ball on the trolley. Making faces and teaching them how to do some pantomime movements. So much fun for me and them as well! We separated company once we got to Hazard Center.
There were children of all ages from different school districts there. They were excited to have a new experience,
and they were mesmerized by the dancers and by my workshop as well.
At Hazard Center we enjoyed “Still Here” Choreographed by Terry Wilson and Dancers; to the music “Luigi Boccherini”
Dancers: Trixi, Stephanie, Beth, Dalina, Josh, Jovani, Jordan, Holly, Cecily, Krista, Luci, Samara, Katie and Julio.
This dance was originally performed at the Fashion Valley Trolley Stop bridge at the Town and Country Hotel in 2008.
This piece was very moving, and the dancers had to be more than just dancers they had to be actors. They portrayed homeless people, as you can see from the pictures ... they were pretty convincing. Some of them acted a little bit scared, others acted a little confused, others acted hungry, and other personality types as well. It was a really special performance, and brought tears to my eyes as they fought over their stuff and the grocery cart. They danced up the stairs (see first Picture) and used the entire space.
Dancers: Trixi, Stephanie, Beth, Dalina, Josh, Jovani, Jordan, Holly, Cecily, Krista, Luci, Samara, Katie and Julio.
This dance was originally performed at the Fashion Valley Trolley Stop bridge at the Town and Country Hotel in 2008.
This piece was very moving, and the dancers had to be more than just dancers they had to be actors. They portrayed homeless people, as you can see from the pictures ... they were pretty convincing. Some of them acted a little bit scared, others acted a little confused, others acted hungry, and other personality types as well. It was a really special performance, and brought tears to my eyes as they fought over their stuff and the grocery cart. They danced up the stairs (see first Picture) and used the entire space.
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We boarded the trolley, and then we went to "Undergrounding II", Choreographed by Debi Toth-Ward, to the music: “Paper Plane” by Mikael Karlsson, “Pyrakantha” by Balmorhea with dancers G. Lucas, Kiara, Alyssa, Darren, Trevor, Aisha and Rachel.
A search for an alternative world, and an escape from the chaos of our present world. This piece is dedicated to the millions of people trying to find a homeland, a sanctuary, a place of peace. Full of lifts and intensity! Awesome dancers!
A search for an alternative world, and an escape from the chaos of our present world. This piece is dedicated to the millions of people trying to find a homeland, a sanctuary, a place of peace. Full of lifts and intensity! Awesome dancers!
"Taking the Plunge", choreographed by Bradley Lundberg, to the music of “Adam” by Me'Shell Ndegeocello, “When I Fall” by Lizz Wright, and “Signed, Sealed, Delivered…” by Stevie Wonder, with dancers Martin, Alexander, Katie, Mario, Bradley, Jessica, Erica Ruse and Stephanie. Although the dancers were all wet, the performance was hot. The group moved from the poles, to the water, to the grounds. It was a multi-level piece, that was both whimsical and serious with romantic overtones. I think the audience wanted to join in the fun in the water.
The dancers all wet and wonderful !
"A Day Again", choreographed by Kim Epifano with music “Give Me a Village to Love” by Kim Epifano
and Violin and Multi Instrumentalist/Vocalist Alicia Previn
Dancer/Vocalist: Kim Epifano
"End of the Line", choreographed by Monica Bill Barnes, to the music “I Want to Hold Your Hand” by Al Green, “Never Knew Love Like This Before” by Stephanie Mills, with dancers Hannah, Jessica, Pam, Margaret, Sarah, Lara, Alina, and Wanda. This location was a challenge for the viewers ... but fun with great music. They dance on a stair well (no pictures) and in this isle.
They were all dressed in red and in snyc.
"A Day Again", choreographed by Kim Epifano with music “Give Me a Village to Love” by Kim Epifano
and Violin and Multi Instrumentalist/Vocalist Alicia Previn
Dancer/Vocalist: Kim Epifano
"End of the Line", choreographed by Monica Bill Barnes, to the music “I Want to Hold Your Hand” by Al Green, “Never Knew Love Like This Before” by Stephanie Mills, with dancers Hannah, Jessica, Pam, Margaret, Sarah, Lara, Alina, and Wanda. This location was a challenge for the viewers ... but fun with great music. They dance on a stair well (no pictures) and in this isle.
They were all dressed in red and in snyc.
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"O Magurm Mysterium", choreographed by Jean Isaacs and dancers to “O Magnum Mysterium” & “Unicornis Captivatur” by Ola Gjiello with dancers Blythe, Matt, Desiree, John, Trystan, Zaquia, Minaqua, Jeremy and vocal performance by Southwestern College Concert Choir.
"Wower" & George Willis
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Rosemarie Ballard with Jean Isaacs
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George Willis
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Not just the children had fun!
In conclusion: we hopped on and off the trolley, on a guided tour to see 6 dances ... created in unique public spaces. This was the 20th Anniversary of San Diego's iconic Trolley Dances, and in celebration of the this event, there was a poll taken by past attendees - and the public wanted to bring back some audience favorites.
For more information for next year, email San Diego Dance Theater at info@sandiegodancetheater.org or call 619-225-1803. You will also find them listed on this sight as well.
In conclusion: we hopped on and off the trolley, on a guided tour to see 6 dances ... created in unique public spaces. This was the 20th Anniversary of San Diego's iconic Trolley Dances, and in celebration of the this event, there was a poll taken by past attendees - and the public wanted to bring back some audience favorites.
For more information for next year, email San Diego Dance Theater at info@sandiegodancetheater.org or call 619-225-1803. You will also find them listed on this sight as well.
The Many Faces of "WOWER"
HISTORY: Trolley Dances began in 1999, when Artistic Director Jean Isaacs could not afford a theater for their dance company’s performances. So, she engineered an unlikely partnership with the San Diego Metropolitan Transit System, and turned the city’s streets into her stages. That first year, a handful of dancers performed on-and-off the trolleys. This year, we celebrate our 20th year of Trolley Dances, and my, how the program has grown with leaps and bounds! The concept works like this: you, the audience, board a trolley at a designated trolley station, and are guided by volunteers to various stops along the route, where dance performances pop-up in unexpected places - each about 10 minutes long, and each created by a different choreographer, and performed by different dancers. The dances are created, incorporating and responding to the physical environment. If there’s a fountain ... the dance might take place inside it. If there’s a fence ... dancers are sure to climb it. This TROLLEY DANCES program is now seen in different large cities ... around the USA.
Rosemarie Ballard as "WOWER"
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Highya.com
Offers . . .
"The HABITS of People Who Age Well"
I ... Rosemarie Ballard at age 74, was asked to write an article for Highya.com, an educational consumer publication that reaches 3 million readers per month. They wanted my opinion on ... “The Habits of People Who Age Well”.
Rob Appel (of this BRAVO SD Theatre Reviews), thought our readers might be interested. You can read the entire article - which includes part of what I wrote, along with several others who were invited to participate ... at https://www.highya.com/articles-guides/successful-aging-lifestyle-habits-of-people-who-age-well. Here are the questions I was asked and my answers.
Rob Appel (of this BRAVO SD Theatre Reviews), thought our readers might be interested. You can read the entire article - which includes part of what I wrote, along with several others who were invited to participate ... at https://www.highya.com/articles-guides/successful-aging-lifestyle-habits-of-people-who-age-well. Here are the questions I was asked and my answers.
What is your background/expertise in relation
to this topic?
I have lived it ... I have been 180 lbs., unhealthy and lived through depression. I have raised 5 children, and survived parental love and other tragedies. I have studied the human condition to help me heal. I have loved and lost. I have studied nutrition. I have been to the bottom and have formed new habits that make my life soooo good
to this topic?
I have lived it ... I have been 180 lbs., unhealthy and lived through depression. I have raised 5 children, and survived parental love and other tragedies. I have studied the human condition to help me heal. I have loved and lost. I have studied nutrition. I have been to the bottom and have formed new habits that make my life soooo good
When it comes to older adults aging well: What is the biggest myth/misunderstanding?
And thus - what is the truth/reality?
In my experience, most things that people say about aging are true. Example: We do get shorter; we do lose our skins elasticity, and we get tired more that we use to. Even if, one takes wonderful care of their body and exercise, eats right, and has a great mental attitude ... aging will have it way. The truth is, the people who do everything right ... age more gracefully; they have a fuller life; and they definitely have more joy. If a person concentrates on the negative aspects of aging ... they will probably go down hill faster.
And thus - what is the truth/reality?
In my experience, most things that people say about aging are true. Example: We do get shorter; we do lose our skins elasticity, and we get tired more that we use to. Even if, one takes wonderful care of their body and exercise, eats right, and has a great mental attitude ... aging will have it way. The truth is, the people who do everything right ... age more gracefully; they have a fuller life; and they definitely have more joy. If a person concentrates on the negative aspects of aging ... they will probably go down hill faster.
Please provide a few “habits” of people who age well,
and elaborate on each habit about how/why it can promote this , , ,
and elaborate on each habit about how/why it can promote this , , ,
- Exercise including cardio, stretching, and weights. Exercising is so important to me. In my studies I learned that one must move to have a clean body. The lymphatic system moves through our bodies cleaning our tissue. Without movement we are dirty, which causes disease (Dis Ease). Exercise helped me with depression - I use to be depressed. I think it is inherited. Many family members suffer from it. I started running when I was 33, and I can still make 3 miles. I do not run as much as I did before, but I still enjoy the high I get after exercise. Let the endorphins rise! Stretching, is important. It strengthens and elongates the muscles, and keep all the other stuff healthy as well. To maintain strength, weight lifting is great. I can still stand on my head. People who do this as a life style, definitely age more gracefully. It is a good idea to learn how to exercise properly. There is so much good information on the internet on this subject.
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- Dancing - I love to dance. I have studied most forms. I love jazz. belly dancing and contemporary - but my passion is tap. I was told - and I believe tap is the best exercise for brain health. The feet are a long way from the brain. Also taking class with friends that share your passion is a plus.
- Singing. Just belt it out or sing softly. It is so good for the spirit, and it definitely adds pleasure to a shower. Many older people are taking voice classes to become good singers. I just Emceed the San Diego Park and Recreation 43 Annual Senior Talent Show. We had amazing singers and dancers who had great attitudes, and believe performing has given them a new lease on life.
- Have friends. Being social. Getting out there and having conversation, and enjoying others stories. See movies, taking walks, go shopping or just out to dinner. Having relationships with others can delight, and also help us not to get stodgy or opinionated.
- Eating right. The food thing is really challenging. I do my best to keep a balance. Food is my biggest struggle. I am winning now but it took a lot of work to get here. I studied nutrition and take a lot of supplements. For years, people would make fun of me because of all the supplement I took. When I look at my friends and people my age, I cannot help believing that the thousands of dollars I have spent ... have paid off. I try to eat God’s food, and avoid man made goods. Most healthy seniors take some type of supplements, and try not to fill every prescription the pill doctors prescribe. They have a pill for everything. They even have a pill to stop you from taking pills.
Certainly staying physically healthy can help a person age well:
But what about the mind/spirit? (what habits in relation to the mind/spirit can help a person age well?)
But what about the mind/spirit? (what habits in relation to the mind/spirit can help a person age well?)
- Practicing forgiveness and gratitude. One set me free, and the other, seems to give me more of everything good. Let go of negative people, and still love them from a distance. Pray for them to find the answers that will make them better people. So many women and families have issues. In laws who are insecure, can really hurt by keeping grand children away from you, and only having their side of the family have relationships.
- It seems today, this generation is so different. The respect is not there. They do not remember “Honor Your Father and Your Mother” or “Love Your Neighbor as Yourself”. Once we have done everything in our power to have a relationship, and it does not work ... you need to let it go. It may not be easy, but to stay in the state
- of rejection is unhealthy. I hear so many friends who have come to the same conclusion.
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- Reading for pleasure. I like true stories. They make me happy and motivated me. If the story is sad I learn what not to do. And the reverse is also true if the story has lessons I can still learn from others. It also elicits feelings, some are great and others can make us angry, but it is all good.
- Keep learning. Keep your brain engaged. Many seniors take college classes and enjoy the challenge. In most community colleges you can monitor the class and not worry about the grade. Learn for fun. I got my degree when I was in my 40’s. Adult classes are full of seniors who want to stay active and informed
Many older adults have experienced traumatic losses (losing a spouse, friends/siblings/etc). Some handle this well, while others are unable to cope. What’s the difference between the two – and what “habits” can people like this incorporate to help them age well, despite their losses?
Death is the truth. We all die. There is no getting around it. For me, because I have lost so many friends and family, it gets easier to go through. Losing our parents or children is the worse. My first loss was grandparents when I was young. I remember being scared of the body and the reaction from all the crying people. I learned about the pain early. Losing friends one after the other over the years ... ouch! When my X husband died in his 30’s, I was devastated, and spent two weeks in morning. Not for myself, but for my children. I decided at that time I should never let myself do that again. I do think I will be like that, if my children go before me and my hubby is 81 and not doing well. I imagine that will stop me in my tracts.
Death is the truth. We all die. There is no getting around it. For me, because I have lost so many friends and family, it gets easier to go through. Losing our parents or children is the worse. My first loss was grandparents when I was young. I remember being scared of the body and the reaction from all the crying people. I learned about the pain early. Losing friends one after the other over the years ... ouch! When my X husband died in his 30’s, I was devastated, and spent two weeks in morning. Not for myself, but for my children. I decided at that time I should never let myself do that again. I do think I will be like that, if my children go before me and my hubby is 81 and not doing well. I imagine that will stop me in my tracts.
I do think having a belief in God and the afterlife is crucial in helping with loss. I believe I will be reunited with them all when it is my turn to go. Many people with longevity also believe in the afterlife.
For older adults who might have lost hope or think it’s too late: What advice can you offer?
First of all, they have to have a touch of an inner need to get or be getter. Without that there is no help. You could slap them silly and they would not get it. I have a friend who is in constant pain. She has so many issues. I do not know how she does it. She takes a licking and keep on ticking. I often wonder if she will end herself, but she is still looking for answers. Maybe a transfusion from her.
I say ... “Get up and move! You are probably dirty and diseased”.
For older adults who might have lost hope or think it’s too late: What advice can you offer?
First of all, they have to have a touch of an inner need to get or be getter. Without that there is no help. You could slap them silly and they would not get it. I have a friend who is in constant pain. She has so many issues. I do not know how she does it. She takes a licking and keep on ticking. I often wonder if she will end herself, but she is still looking for answers. Maybe a transfusion from her.
I say ... “Get up and move! You are probably dirty and diseased”.
Please add your final thoughts on this topic:
Going back to the first question. I wish I could touch all the people who have food issues and have them stop overeating and damaging the beautiful instrument (body) God gave them. In my experience we over eat to fill a void. Food seems to be our friend. It is not our friend when we abuse it. |
Keep a balance: Spiritual, emotional and physical. It took years to learn. Love of God, self, family and friends keep us moving forward.
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San Diego PARK & Recreation
War Memorial Building:
Presented . . .
43rd Annual Senior TALENT Show
Per Rosemarie Ballard
The house was sold-out, and the crowd was ready when the performance started at 12:30 PM. There were 36 performing acts on stage that day. As Emcee, with my Co-Emcee Joni Wilson, we looked over the audience, and we wondered if all of the seats would be filled at 3:30pm - when the last act graced the stage. That is a long show to be sure, and the seats were still full at the end of the day. That is the proof that Senior Talent’s have much to offer - and good talent keeps people in their seats. We enjoyed six dance acts, seven novelty acts and sixteen wonderful singers, with a variety of gandoras’: country, pop, classical and more. Our program started with a pre-show by Mary & Gary West ... Serving Seniors. |
When Rosemarie Ballard &
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Then the Audience, was greeted by the 3 powerhouse women who run the production: Kristi Fenick, District Manager; Marla Davis, Supervising Recreation Specialist; and Sinthya Carranza, Recreation Specialist. We worked closely together to produce a wonderful production. Sinthya Carranza was our go-to gal to keep everything on tract. We had a great team. The show started with Kristin Silver, playing the keyboard and singing “Only in America”, then Norma Morein sang the “National Antrum”. You could feel the American pride in the air.
It was clock work ... boom ... boom! The stars went, one after the other, until intermission - and the entertainment continued with the fabulous band Island Mist, playing Polynesian music - while the people enjoyed snacks, furnished by Heritage Senior Care, Inc. ... Yum! The other much appreciated show sponsors were Sharp Rees-Stealy Medical Centers and the Sycuan Band of the Kumeyaay Nation. There were so many people in attendance, the scheduled 15-minute intermission lasted 30 minutes.
Act II was just a great as Act I.
ISLAND MIST
Act II was just a great as Act I.
ISLAND MIST
Sound Man JAY ... from GOT DJ
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Some of the people behind the scenes helped keep the show moving forward. The program would not have run as good without our stage manager Steve Tom. He has been a regular for as long as I can remember. We really appreciate him. Also our sound man Jay from Got DJ. He is a nice man and easy to work with. Each and every act was great! (Above) Rosemarie & Steve Tom A picture is worth 1000 words - so here you go: |
Our DANCERS . . .
Meg & Helen The Silver Steppers Carl Mattina
"Charleston" "Shake That Thing" "This Joint Is Jumping"
Errrverybodi Line Dancers Prime Time Steppers Yolanda & Dorothy
"Perm" "Five Foot Two" "Hero"
Our NOVELTY Performers
Rosemarie * Norma N. Desmond * Janet as * Frank & John
Mae West "Ma Ma" "With One Look" Phyllis Diller Special Delivery (skit)
Our SINGERS . . .
Carol Whitener The DEVAS Irene Manzano
"Moving The Line" "Together, Where Ever We Go" "What I Did For Love"
Johnny P. Cheryta Moss Dianne Hardy
"Cuando Cuando" "All of Me" "Fever"
Juan Manuel William Holland
"Besame Mucho" "On My Way To You This Morning"
Bob Brown Carolyn Roberts John Callaghan Liz Keller
"Try To Remember" "Can't Help Lovin That Man" "Wonder of You" "If I Loved You"
Sylvia Cowen Tenesee Hunt Joy-See Gotferdson Susan Cody
"People" "Walkin After Midnight" "It's De Lovely" "Mi Vida Loca"
Sylvia Isely Aguilera Joni Wilson Michelle Wallis
"I'm So Excited" "What a Wonderful World" "Will You Still Love Me"
Joni and I closed the show at 3:30pm on the nose. Tons of work, time and energy, by all of us who volunteered, helped to create a wonderful day for all!
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University of San Diego
Joan Croc Institute for Peace & Justice Theatre
Ms. Senior CALIFORNIA Pageant - 2018
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Per Rosemarie Ballard
June 10th was a special day for the women who competed, the organizers and the audience at the Ms. Sr. California Pageant. Eight beautiful, intelligent and talented women strutted their stuff on stage at the Joan Crock Theatre. I have attended several of these and been involved in the competition myself in 2006 so I know the ins-and-outs of all that goes into this type of affair. I am happy I was not a judge because the award could have gone to any one of them. They were all fabulous! The space was really lovely and perfect for this type of production.
June 10th was a special day for the women who competed, the organizers and the audience at the Ms. Sr. California Pageant. Eight beautiful, intelligent and talented women strutted their stuff on stage at the Joan Crock Theatre. I have attended several of these and been involved in the competition myself in 2006 so I know the ins-and-outs of all that goes into this type of affair. I am happy I was not a judge because the award could have gone to any one of them. They were all fabulous! The space was really lovely and perfect for this type of production.
The day started out with introductions of course of all the people involved, and then
the beautiful Dorcas Preston, Ms. Sr. America 2001 - singing
the National Anthem.
Anything that starts out with a National Anthem ... is a winner in my viewpoint.
Ms. Senior America 2018 - Carolyn Slade Harden
Our community was fortunate to have the Ms. Senior America 2018 - Carolyn Slade Harden fly in from New Jersey, to participate in the day's activity. She was quite stunning - and what a wonderful voice. She sang “Love Being Here with You”, and you could hear a pin drop in the audience. Next the contestants were presented as they floated across the stage moving to the choreography by Jack Failla. This gave everybody a chance to meet and see their glorious smiles. The contestants were then introduced one at a time and came out in their beautiful gowns. They did a model walk across the stage while the MCs Elvia Harris and Reina Bolles read their short bios. They each walked with elegance and grace. Then they gave their philosophy of life. Before the audience arrived, each contestant did an interview with the judges. The girls are graded, 30% for the interview, 20% on the gown, 20% on their Philosophy and 30% on talent. Next was the talent portion and each one did a great and memorable job. |
Elvia Harris the CEO/Director, and
Reina Bolles Ms. Sr. CA 2015 worked well together as co-emceed for the event. Let's Meet the Contestants |
First, Cheryta Moss sang a jazz version of "All of Me”. She was a great show opener and the crowd went wild. Her gown was stunning. There was a huge pink butterfly that sat beautifully on the back.
Next, Lori Stangel performed a magical lyrical dance to the song “Perfect”, by Ed Sheehan. Honestly, she moved like a young girl - I loved her performance.
Next, Lori Stangel performed a magical lyrical dance to the song “Perfect”, by Ed Sheehan. Honestly, she moved like a young girl - I loved her performance.
3rd Holly Hagan sang
"The Italian Street Song” from the musical "Naughty Marietta". Her soprano style rang throughout the building.
4th - Judith Naylor-Talbot sang “Make Someone Happy” by
Mark Davidson. She made us all happy as she sang, and she was stunning.
4th - Judith Naylor-Talbot sang “Make Someone Happy” by
Mark Davidson. She made us all happy as she sang, and she was stunning.
5th - Joni Brobst, sang -
"I Enjoy Wearing A Crown” with lyrics by Clifford Bell. There were smiles on everyone’s faces, as Joni sang her fun song. She was very entertaining and she looked beautiful ... smashing!
6th was Pauline Allen, who performed a monologue once done by Ellen Burstyn in "Requiem for a Dream". She was very intense and believable. She was also voted ...
Ms. Congeniality.
Now that is an honor!
7th was our
Ms. Sr. California 2018,
Rita Pardue, who sang
"I’ve Got the Music In Me”.
Rita has a rich and deep voice. More about her later.
7th was our
Ms. Sr. California 2018,
Rita Pardue, who sang
"I’ve Got the Music In Me”.
Rita has a rich and deep voice. More about her later.
Last but not least was
Mari Lewis,
Ms. Sr. San Diego 2018.
She sang and danced to
“I Can’t Do it Alone” from the musical “Chicago”. She came out in a robe, and then removed it and burst into song and dance.
I must admit I was mesmerized by her act, and forgot to take pictures. I was into her high energy and great performance!
When all was said and done it was a great day and even though any one of the girls would have represented our great state in style, Rita Pardue is our winner and she will be a great representative for the Ms. Sr. CA.
As the judges deliberated our reigning queen MJ Wilkerson gave her moving, closing statements.
She shared her feelings and thoughts with poise, grace and elegance.
Interview below with:
Ms. Sr America 2017 - Carolyn Slade Harden
Ms. Sr. California 2017 - MJ Wilkerson
Ms. Sr. California 2018 - Rita Pardue
Ms. Sr America 2017 - Carolyn Slade Harden
Ms. Sr. California 2017 - MJ Wilkerson
Ms. Sr. California 2018 - Rita Pardue
I had the honor of interviewing Carolyn Slade Harden. She told me she was from Manchester, NJ - which is not far from Atlantic City. I was impressed by her charming personality, and I believe she is a great representative for the Ms Sr. America Program
Carolyn Slade Harden and Rosemarie Ballard
Q. How did you get into the pageant program?
A. I live in a very active adult community, and there was a person recruiting, and they had asked if anyone in our development who might be interested - and of course, there were many people recommended. I am very active in the performing arts club, and I direct the choirs and am on the board ... I was happy to get involved.
Q. Were you in theatre?
A. No, but I grew up singing all my life and I did record professionally. On my first record Dionne Warwick was my background singer. We grew up in a choir together in the same church. I did record later in background work with for Sissy Huston
(nick name for Whitney), and arrive before the event, and if the event is canceled you will be refunded.
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Burt Bacharach. (My response was “WOW!”) Then I got married, and that was the end of that. Of course, I kept singing in the church choir. Whitney Huston did her first solo song for me when I was director of the children’s choir. She was 12 years old.
“O my goodness” ... was my response.
Q. You must have been upset with her passing?
A. “Absolutely” That was all that need to be said from my perspective.
She said “I have been in the music industry most of my life. I recorded 2 singles in the 60’s that made the charts on the east coast. (sorry, did not get the song titles)". I was on American Bandstand and at the Apollo Theatre. (OK I lived for American Bandstand, so I was quite excited and impressed. I asked her if she was one of those? I did the hand jester Bandstand buff would recognize,
and she said ... yes WOW!)
She continued. Now remember I have been involved with music for 60 years. Your voice does change. I started out as singing opera in high school and then gospel. You have to adapt as you get older.
The main thing is conveying the message, telling a story.
Q. So did you only compete one time in the pageant?
A. Yes just one time ... and I won!
Q. So what would say to anyone who might be interested in the pageant program?
A. I think they should definitely do it. Understand and learn that it is more than just a pageant. That word sometimes turns people off. It is an organization of women, who are encouraging and helping other senior women to get out
and pursue their passion - and engage in what they love to do.
Q. I guess that is your message?
A. Absolutely
We were out of time as the show must go on. I would have love to continue the conversation, and hope to spend more time with her in the future.
MJ Wilkerson Ms. Sr. California 2017
Q. How did you learn about the Ms. Sr. Pageant?
A. While a cast member in the San Diego Follies, several of the ladies kept telling me about Ms. Sr. San Diego for a year - and later, I was contacted by Elvia who sent me some info. I was completely unprepared, and not sure about doing any of it. But a dear friend and mentor encouraged me to
"just do it" for the fun of it and the experience. I supposed to be able to say "I did it". By the way, I had to borrow a gown... seriously!
Q. What did being a contestant mean to you?
A. I was a little nervous, but as I didn't have "any expectations", it was fun and a completely new experience. Over the past two and half years ... all I can say is ... this has changed me! This has encouraged me to get out of my comfort zone and step into the spotlight. You will never know what is possible unless you simply ... try. Any thing and everything is possible!
Q. Please share one special experience that stands out?
A. The preliminary pageants we're fun - but the California State Pageant was more about, "this is getting real!" So much more pressure and you actually now want to do your very best ... and WIN! Having participated in 4 pageants (2 prelim and 2 state), my efforts were much more focused. Upon winning the 2017 California State Queen Title, and the realization of participation for the National Title of Ms. Senior America, by far, this exceeded any aspirations I had ever dreamed of doing!! Amazingly Fun and what a privilege!
Q. Would you recommend this experience to others?
A. Yes, of course. Do it for the fun of it all ... for the wonderful experience of it, and the amazing women you will meet.
Be part of a unique Sisterhood of Pageant Sisters. And be a Senior Pageant member is even more unique. Dream Big!!
Q. As Ms. Sr. California, what were the highlights, and please write anything you think is important to share with our readers.
A. Winning this State Pageant was the most 'out of the box' thing I've done. The exhilaration of winning doesn't fade, and it is something I was very proud of, and I wanted to share with all the women, young or older - as it allows us to set the bar higher than we ever considered. This provided me with a platform to share with women "our potential", and the opportunities that are out there and can be achieved! I loved participating in Veteran programs and presentations, speaking for women's business and ministry organizations, receiving recognition for achievements and public impact by local governments - sharing my gifts and talents for senior residents and community events. One of my big highlights was being privileged to be a pageant contestant in the Ms. Senior America Pageant in Atlantic City, NJ. Sharing the stage with 45 other state contestants, and meeting some of the most amazingly talented women this country has to offer. However, I know there is another fabulous contestant who is waiting out there, just be asked!? Who will dare to dream big? Borrow a gown if you have to, and step out on the stage, into the spotlight ... and SHINE!! Most Sincerely - Mary Jane "MJ" Wilkerson
Rita Pardue - Ms. Sr. California 2018
Q. How did you learn about the Ms. Sr. Pageant?
A. A friend of mine, Dani Brownlee Berger and her daughter, Kirrilee visited me from New Jersey. Kirrilee was auditioning for movie and television roles during pilot season. Young Kirrilee had been quite successful in pageants, and was currently the title holder for Miss Teen New Jersey. Kirrilee suggested I should consider getting involved in the Ms Senior America Pageant system. She was quite persuasive.
Q. What did being a contestant mean to you?
A. Being a contestant in the Ms Senior California Pageant got me back into singing and dancing. I found myself encouraging other seniors to set new goals, and take a chance to try something new and different.
Q. Please share one special experience that stands out?
A. I have enjoyed making new friendships with the other ladies in the pageant. In fact, two special ladies and I, have shared our faith walk and became prayer partners. What a blessing that was for all of us.
Q. Would you recommend this experience to others?
A. I would most definitely recommend this opportunity to all senior women. You will make new friendships. You will set goals for yourself to get out of your comfort zone and live life with passion.
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School Production:
Presents . . .
Billy St. John's - A Mystery Comedy
Per Rosemarie Ballard
Almost every character in this hilarious mystery, has the weapon, opportunity and motive to commit the unseen murder. In the end, it is up to the audience to decide who actually did it. Each of the heirs to the tyrannical billionaire Simon Starkweather (by Nicholas Stark), has the means and the motive to do away with him. Starkweather gathers his family together, and his employees to announce the content of his will. His lawyer Lois van Zandt (by Daniel Flores), reveals that he has bequeathed his vast fortune to his befuddled niece Fiona (by Angelina Franco), her playboy son Jordan (by Daniel Chavez), his great niece, the southern bell Paula (by Brianna Olszewski), and his grandson Simon III,
(by Nicholas Stark) ... as well as to his many servants.
Almost every character in this hilarious mystery, has the weapon, opportunity and motive to commit the unseen murder. In the end, it is up to the audience to decide who actually did it. Each of the heirs to the tyrannical billionaire Simon Starkweather (by Nicholas Stark), has the means and the motive to do away with him. Starkweather gathers his family together, and his employees to announce the content of his will. His lawyer Lois van Zandt (by Daniel Flores), reveals that he has bequeathed his vast fortune to his befuddled niece Fiona (by Angelina Franco), her playboy son Jordan (by Daniel Chavez), his great niece, the southern bell Paula (by Brianna Olszewski), and his grandson Simon III,
(by Nicholas Stark) ... as well as to his many servants.
Then the lawyer delivers the bombshell! Within hours this will become invalid. He wants to use his fortunes to clone himself and be a billionaire ... as a baby. Of course. the rejected heirs are not pleased, so it’s not surprising when they roam the old mansion carrying such items as an ax, a gun and poison. Predictably, the lights go out and Simon is discovered murdered.
Simon lll, is determined to find his grandfather’s killer, with the help of detective Mike Davis (by Noah Jackson). His servants: Rufus the handyman (by Jon Ibarguren) – Kathy the secretary (by Charisie Santana De Valdez) – Minerva the cook (by Dana Tween) – Nancy the maid (by Allison Webb) – Withers the nurse (by Daniella Ortiz) – The house keeper (by Edger Nava) - and The butler Bensonhurst (by Mr. Trent Aldo) -
(L to R) Daniel Chavez & Daniel Flores
... all, wanted the money and were all interrogated. The Director in the play was Kyle Rex, he kept interrupting the actors - and they show their displeasure. This play is a definite ensemble production. Each and every actor, was a star of this show!
Simon lll, is determined to find his grandfather’s killer, with the help of detective Mike Davis (by Noah Jackson). His servants: Rufus the handyman (by Jon Ibarguren) – Kathy the secretary (by Charisie Santana De Valdez) – Minerva the cook (by Dana Tween) – Nancy the maid (by Allison Webb) – Withers the nurse (by Daniella Ortiz) – The house keeper (by Edger Nava) - and The butler Bensonhurst (by Mr. Trent Aldo) -
(L to R) Daniel Chavez & Daniel Flores
... all, wanted the money and were all interrogated. The Director in the play was Kyle Rex, he kept interrupting the actors - and they show their displeasure. This play is a definite ensemble production. Each and every actor, was a star of this show!
(L to R) Daniella Ortiz & Angelina Franco
Now that is the basic story of the script. What is interesting to this reviewer, is all that went into this production. I volunteer at Bonita Vista High School, for the drama teacher and director of this show, Rosamaria Sias. She and her assistant director, Sofia M-Favela and myself, took these novice students, with expectations of presenting a successful production. For most of the students ... it was their first time in a production.
It was incredible to see the progress the students made in a one-hour a day class for about 8 weeks. Each student, had to overcome their lack of experience, and all the emotions that a novice actor experiences. Letting go of their shyness, and giving themselves permission to really let go and be in the moment. There were a lot of challenges along the way to overcome, and the students did just that.
I knew from experience, that they would rise to the occasion. Youngsters seem to do that. Sometimes during rehearsal, we wondered if it would finally come together ... and it did. Nicholas Stark had a challenge, playing billionaire Simon Starkweather and Simon lll. He did a good job, being completely different and yet a bit similar. He was very committed, and learned his lines before anyone else. Daniel Chavez as Jordan, had to dig deep to become the playboy in the show. His good looks really helped with the portrayal. He had that John Travolta swagger by show time. The detective Mike Davis played by Noah Jackson, had a very important role, that was really challenging and convincing in his khaki colored overcoat. This young man did an outstanding job on his part. One pleasant surprise, was seeing Brianna Olszewski become Paula, the southern bell. She embodied her character, including her southern accent, and her movement was unmatched. She was Paula from head to toe!
(L to R) Daniel Chavez, Angelina Franco & Brianna Olszewski
(L to R) Daniel Chavez, Angelina Franco & Brianna Olszewski
Fiona, played by Angelina Franco, got a lot of laughs playing the ditzy fifty-year-old. I will admit most of the laughter came from the antics of Rufus the handyman played by Jon Ibarguren. It took him some time to realize just how funny his character was, but once he got it, he was a joy to watch. We told him to be prepared to pause for laughs, and he looked at us as if to say WHAT? Goodd that he was prepared, because the laughs just kept coming. The first audience chose him as the murder, and that was also funny!
Minerva the cook by Dana Tween, showed the strength of a strong adult. She ruled the staff and her role. Her posture, her voice and her actions were right on!
Jon Ibarguren
(L to R) Daniella Ortiz & Allison Webb -
Nancy the maid, by Allison Webb, was as cute and perky as they come. Her voice was the strong one of the cast. The audience chose her as the murderer, for the closing show. People laughed at Rufus but they took Nancy seriously. Her last line, did get a chuckle - because, the last thing she said to her playboy Jordan, was they have 'visiting hours' for prisoners. Trent the butler, played by Edger Nava, with his white gloves was very butler-est. The scheming duo, of the Lawyer Lois van Zandt played by Daniel Flores, and Kathy the secretary played by Charisie Santana De Valdez worked well together. They had a plan that would keep them happy for the rest of their lives. It did not work, because Mr. Starkweather was murdered, before the new will was signed.
Dana Tween (below)
Nancy the maid, by Allison Webb, was as cute and perky as they come. Her voice was the strong one of the cast. The audience chose her as the murderer, for the closing show. People laughed at Rufus but they took Nancy seriously. Her last line, did get a chuckle - because, the last thing she said to her playboy Jordan, was they have 'visiting hours' for prisoners. Trent the butler, played by Edger Nava, with his white gloves was very butler-est. The scheming duo, of the Lawyer Lois van Zandt played by Daniel Flores, and Kathy the secretary played by Charisie Santana De Valdez worked well together. They had a plan that would keep them happy for the rest of their lives. It did not work, because Mr. Starkweather was murdered, before the new will was signed.
Dana Tween (below)
Charisie Santana De Valdez & Daniel Flores (right) The male house keeper, played by Edgar Nava showed true emotion, as he gave the director in the play Kyle Rex, his resentment every time the director interrupted the progress of the show. Kyle Rex played the part of an embarrassed director, trying to help the audience know other details not in the show. His facial expressions were super-duper! |
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Edgar Nava
Withers the nurse played by Daniella Ortiz, is last but not the least. She had the hustle and caring concern of a real RN. Every entrance was memorable. What most impressed me about her, was her short but powerful statements after the show. I think she summed up what most of us believed, that this drama department needs more support from the school budget. There is magic in school productions, and a community of people who will always remember this experience. I still remember my drama teachers name. This team really came together. The students did the set, the sound, the lighting, stage management, makeup, box office, and every other aspect of the production - under the guiding eyes of their teacher Rosamaria Sias. I was happy to be a part of this project - and I am humbled by the response of the students toward me!
Withers the nurse played by Daniella Ortiz, is last but not the least. She had the hustle and caring concern of a real RN. Every entrance was memorable. What most impressed me about her, was her short but powerful statements after the show. I think she summed up what most of us believed, that this drama department needs more support from the school budget. There is magic in school productions, and a community of people who will always remember this experience. I still remember my drama teachers name. This team really came together. The students did the set, the sound, the lighting, stage management, makeup, box office, and every other aspect of the production - under the guiding eyes of their teacher Rosamaria Sias. I was happy to be a part of this project - and I am humbled by the response of the students toward me!
Cast of ... "Murders In Heir"
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SD Dance Theatre:
Presents . . .
TROLLEY DANCES
Per Rosemarie Ballard
This year I was blessed to join the Trolley Dances team as “Wower”, the Clown. I went with a group of middle school children. My first clown mistake, was not looking at the web site, to know the event started at the “E” St Station in Chula Vista. I got on the trolley at “E” St., and headed for downtown, only to realize there was no “E” St. Station downtown. No big deal! I got off the trolley, and back on again, and headed back to “E” St. … Da! I was early leaving, and by the time I returned, they were setting-up waiting for the first group of kids to arrive.
This year I was blessed to join the Trolley Dances team as “Wower”, the Clown. I went with a group of middle school children. My first clown mistake, was not looking at the web site, to know the event started at the “E” St Station in Chula Vista. I got on the trolley at “E” St., and headed for downtown, only to realize there was no “E” St. Station downtown. No big deal! I got off the trolley, and back on again, and headed back to “E” St. … Da! I was early leaving, and by the time I returned, they were setting-up waiting for the first group of kids to arrive.
From the program: Jean Isaacs
“Trolley Dances”, began in 1999, when Artistic Director Jean Isaacs, could not afford a theater for her dance company’s performances. So, she engineered an unlikely partnership with the San Diego Metropolitan Transit System, and turned the city’s streets into her stage. That first year, a handful of dancers performed on and off the trolleys. |
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ZERO IN ON
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This year, “Trolley Dances” celebrated their 19th year, and the program has grown by leaps and bounds! It has even spread to other cities across America. Here is how it works: you, the audience, board a trolley at a designated trolley station, and are guided by volunteers, to various stops along the route, where dance performances, each about 10 minutes long, and each created by a different choreographer, and performed by different dancers - who pop-up in unexpected places. The dances are created, incorporating and responding to the physical environment. If there’s a fountain, the dance might take place inside it. If there’s a fence, dancers are sure to climb it.
This year, “Trolley Dances” celebrated their 19th year, and the program has grown by leaps and bounds! It has even spread to other cities across America. Here is how it works: you, the audience, board a trolley at a designated trolley station, and are guided by volunteers, to various stops along the route, where dance performances, each about 10 minutes long, and each created by a different choreographer, and performed by different dancers - who pop-up in unexpected places. The dances are created, incorporating and responding to the physical environment. If there’s a fountain, the dance might take place inside it. If there’s a fence, dancers are sure to climb it.
No two performances are ever the same; each year a different route and sites are selected. This year you’ll get a fresh take on three unique communities through the lens of dance as you’re guided through places you may have never experienced. If you’re a resident of one of these communities, Trolley Dances offered new insight into a hometown that so often blurs by.
First stop Chula Vista MTS Trolley Platform at E Street Station
Quite a large group, from different schools, were dropped off by buss and waited with great anticipation for this new experience. Some of them greeted this clown with great joy and others wondered WHY? It was a fun time for Wower, who made many new friends on the excursion.
Quite a large group, from different schools, were dropped off by buss and waited with great anticipation for this new experience. Some of them greeted this clown with great joy and others wondered WHY? It was a fun time for Wower, who made many new friends on the excursion.
After we all got settled the dancers: Leslie Armstrong, Rebekah Brown, Jeze Fabijanic, Jazzmin Jackson, Rosario Lopez, and Madeleine Schoch brought their magic to life. They moved into different geometric quality poses to the music of composer Yann Novak in and out of objects created by sculptor Mak Kern. The choreographer Rebecca Bruno, who is from Los Angeles, where she received a BA in Dance from UCSD and conservatory training at The Jerusalem Academy of Music, created an interesting movement piece. I wanted to join in, because some of their balance moves look challenging and fun. The piece named “A Configuration Reconstituting Itself “, made us slow down and observe. The use of the sculptures was interesting and each dancer added their person strength and beauty to the work.
All aboard to National City Adult School Underground Structure
Choreographer Debi Toth-Ward, who holds a BFA in Performing Arts from Johnson State College, and an MA from SDSU, where she was awarded the 1998 alumnus of the year, did a fabulous job.. The dancers: G. Lucas Aquilar, Emily Goethel, Kiara Jones, Alyssa Junious, Trevor Polcyn, Rachel Torres, and Ivan Valdes-Estrella rocked my world!
The title “Undergrounding” was perfect. We were seated under a bridge or parking lot (?), when the music, “Balmorhea” by Mikael Karlsson, started. What looked like a rock, suddenly woke-up, and started to do some fun footwork from beneath their disguise.
Choreographer Debi Toth-Ward, who holds a BFA in Performing Arts from Johnson State College, and an MA from SDSU, where she was awarded the 1998 alumnus of the year, did a fabulous job.. The dancers: G. Lucas Aquilar, Emily Goethel, Kiara Jones, Alyssa Junious, Trevor Polcyn, Rachel Torres, and Ivan Valdes-Estrella rocked my world!
The title “Undergrounding” was perfect. We were seated under a bridge or parking lot (?), when the music, “Balmorhea” by Mikael Karlsson, started. What looked like a rock, suddenly woke-up, and started to do some fun footwork from beneath their disguise.
There were several dancers disguised as a rock or plant in this shot.
Eventually they discarded their covers and danced, leaped, climbed and rolled in every possible location. The description in the program explained they were on “A search for an alternative world, an escape from the chaos of our present world. This is dedicated to the millions of people trying to find a homeland, a sanctuary, a place of peace”. In their quasi pirate looking cloths and dancing … made me feel happy all over.
Eventually they discarded their covers and danced, leaped, climbed and rolled in every possible location. The description in the program explained they were on “A search for an alternative world, an escape from the chaos of our present world. This is dedicated to the millions of people trying to find a homeland, a sanctuary, a place of peace”. In their quasi pirate looking cloths and dancing … made me feel happy all over.
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Next stop National City at Paradise Creek Community Park
I am always excited to see choreography by the dedicated and wonderful Trolley Dance creator Jean Isaacs. She worked with Jessica Gilmore and the company dancers of San Diego Dance Theater. Jean wrote: When I first saw this park, peeking through it’s locked chain-link fence, I thought, “No way. Too big, too challenging.” But, we’ve grown fond of it. It is restful, shaded, with built in seats; all assets for an inspiring trolley dances site. And the pleasantly obliging staff at the City Hall of National City add to it’s value. Now, about that porta-potty ...
I am always excited to see choreography by the dedicated and wonderful Trolley Dance creator Jean Isaacs. She worked with Jessica Gilmore and the company dancers of San Diego Dance Theater. Jean wrote: When I first saw this park, peeking through it’s locked chain-link fence, I thought, “No way. Too big, too challenging.” But, we’ve grown fond of it. It is restful, shaded, with built in seats; all assets for an inspiring trolley dances site. And the pleasantly obliging staff at the City Hall of National City add to it’s value. Now, about that porta-potty ...
This really was a vibrant, ever changing movement and energy piece. The music, Gotan Project and Sounds of Nature, edited by Steve Baker, was thought provoking. The dancers, Brianna Bellamy, Annie Boyer, Matt Carney, John Diaz, Desiree Cuizon Fejeran, Cecily Holcombe, Mario Jaimes, Minaqua McPherson, Erica Ruse, and Zaquia Mahler Salinas were impressive. The intensity and commitment of these dancers was stellar. They moved from their hearts and we could feel every emotion.
This really was a vibrant, ever changing movement and energy piece. The music, Gotan Project and Sounds of Nature, edited by Steve Baker, was thought provoking. The dancers, Brianna Bellamy, Annie Boyer, Matt Carney, John Diaz, Desiree Cuizon Fejeran, Cecily Holcombe, Mario Jaimes, Minaqua McPherson, Erica Ruse, and Zaquia Mahler Salinas were impressive. The intensity and commitment of these dancers was stellar. They moved from their hearts and we could feel every emotion.
Our last stop was San Diego Public Library
First dance in the lobby, from choreographer Dave Massey (He has performed, choreographed and taught dance around the world). His thoughts on the dance: This piece was built on a 3’ x 30’ ramp, in the foyer of the beautiful central library. The confinements of the ramp, plus six dancing bodies, made the choreographic process challenging,
... yet rewarding.
The music “Dead Freight” by Dave Porter, was perfect. I was wondering what the people, who were at the library for different
reasons, thought of the event. This piece required a lot of strength, and the dancers, Ashley Akhavan, Jovani Chavez, Carina Hodgins, Issa Hourani, Treva Stotts, and Korey Van Hoy were just the ticket. They climbed, balanced, and performed with beauty and wonderful skills. Sometimes I held my breath, as they hit some
balance poses.
First dance in the lobby, from choreographer Dave Massey (He has performed, choreographed and taught dance around the world). His thoughts on the dance: This piece was built on a 3’ x 30’ ramp, in the foyer of the beautiful central library. The confinements of the ramp, plus six dancing bodies, made the choreographic process challenging,
... yet rewarding.
The music “Dead Freight” by Dave Porter, was perfect. I was wondering what the people, who were at the library for different
reasons, thought of the event. This piece required a lot of strength, and the dancers, Ashley Akhavan, Jovani Chavez, Carina Hodgins, Issa Hourani, Treva Stotts, and Korey Van Hoy were just the ticket. They climbed, balanced, and performed with beauty and wonderful skills. Sometimes I held my breath, as they hit some
balance poses.
Next, in a similar location adjacent to the ramp, at the San Diego Public Library Main Escalator, Jean Isaacs the choreographer with dancers: Henry Chavez III, Jessica Gilmore, Christian Kelley, Michael Lozano, Lara Segura, Wanda Tong, Julio Velazquez, and Stephanie Vasquez, gave us all something to think about. They moved to text excerpts from “Lincoln in the Bardo”, by George Saunders, and music, “The Malady of Elegance” by Goldmund, all edited by Steve Baker.
The explanation of the piece, “A ‘Bardo’ in literature, is akin to a purgatory-like state in Christianity, where souls not ready to leave life … wait to resolve their worldly concerns”.
This was intense! I had a tear in my eye, that could not drop, for fear of clown makeup malfunction. I heard a few of the youngsters say it made them sad as well. A Powerful interpretation by the cast.
The explanation of the piece, “A ‘Bardo’ in literature, is akin to a purgatory-like state in Christianity, where souls not ready to leave life … wait to resolve their worldly concerns”.
This was intense! I had a tear in my eye, that could not drop, for fear of clown makeup malfunction. I heard a few of the youngsters say it made them sad as well. A Powerful interpretation by the cast.
Our last performance was also at San Diego Public Library, but outside at the Living Room Coffee House. Choreographer Ron “RJ” Davis, worked with dancers: Fantasia Bush, Josh Cayetano, Marty Dorado, Niza Galindo, Jessica Kelley, and Elijah Mack, to the song “Pruitt Igoe”, by Kanding Ray.
Explanation of the dance:
The more we seek to find each other,
the more we realize we can be here in support of each other.
Trust the process, and live in the space we have no control over.
Explanation of the dance:
The more we seek to find each other,
the more we realize we can be here in support of each other.
Trust the process, and live in the space we have no control over.
This was fun for all, in an outside coffee house setting. The dancers used the tables and chairs that were available. This indicates, that each performance was different. They use the building, and ever little nook and cranny, not covered by onlookers, was explored.
The journey back to “E” St Station was fun, and a great end to a novel experience. The children were all talking about the day. Most of the ones I spoke to, were in dance or theatre in school. Some taught this ‘clown’ the latest dance steps like the Nay Nay. Respect was the word of the day. Children who are involved in group activities, seem to have more respect for life.
The journey back to “E” St Station was fun, and a great end to a novel experience. The children were all talking about the day. Most of the ones I spoke to, were in dance or theatre in school. Some taught this ‘clown’ the latest dance steps like the Nay Nay. Respect was the word of the day. Children who are involved in group activities, seem to have more respect for life.
If you have not experienced this San Diego Dance Theatre's special Trolley Dances
think about it for 2018.
Ph.D., George Willis, Terry Wilson
All Photos are by Manuel Rotenberg. You can see many wonderful pictures of the entire day at rotepix.com.
First click on Dance then click on Jean Isaacs San Diego Dance Theater.
SAN DIEGO DANCE THEATER: Trolley Dances (2018)
think about it for 2018.
Ph.D., George Willis, Terry Wilson
All Photos are by Manuel Rotenberg. You can see many wonderful pictures of the entire day at rotepix.com.
First click on Dance then click on Jean Isaacs San Diego Dance Theater.
SAN DIEGO DANCE THEATER: Trolley Dances (2018)
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La Pastorela De Los Alacranes
Teatro Mascara Magica (TNN):
Presents . . .
Per Rosemarie Ballard
LA PASTORELA, recently at the Lyceum Theatre in San Diego, is in its twenty-ninth year and still going strong. The show was first translated into English by TMM in 1990, and was presented at the Globe Theatre. This show is San Diego’s longest-running professional holiday theatre production, and next year they are planning something even more spectacular for their 30-year celebration. Mark that down on your December 2018 calendar. 2016 was a sad year for this team, because the theatre was not available ... and the show did not happen.
LA PASTORELA, recently at the Lyceum Theatre in San Diego, is in its twenty-ninth year and still going strong. The show was first translated into English by TMM in 1990, and was presented at the Globe Theatre. This show is San Diego’s longest-running professional holiday theatre production, and next year they are planning something even more spectacular for their 30-year celebration. Mark that down on your December 2018 calendar. 2016 was a sad year for this team, because the theatre was not available ... and the show did not happen.
Front: Archangel Gabriel, Kenia as Wonder Woman,
and Archangel Michael, and Paul as Batman.
The director Mr. William Virchis, had directed or co directed 26 of the 29 years. This was my 4th time to see the show, and it is always different. I wait with anticipation to see where the shepherds will go, and what experiences they will have. Many families have this as a holiday tradition. Mr. Virchis has an incredible background as a director, and he proudly works to keep his Mexican heritage alive.
The writer Dr. Max Branscomb, has 25 years’ experience writing and rewriting this fun yearly event. If you like our president, you would probably object to some of this years’ offering. If you do not like our president, you would have been hooting and hollering and clapping, like many people in the audience. Much of the humor was directed at our President. For this reviewer, it was a little much. Politics and religion are always touchy subjects. There are many things we can laugh at besides politics. Max did take us on a wild ride. He wrote the dialogue in rhyme, as is the tradition - poetry and comedy all rolled into one. Maybe next year we could find different humor for the 30-year anniversary (Fingers crossed).
The writer Dr. Max Branscomb, has 25 years’ experience writing and rewriting this fun yearly event. If you like our president, you would probably object to some of this years’ offering. If you do not like our president, you would have been hooting and hollering and clapping, like many people in the audience. Much of the humor was directed at our President. For this reviewer, it was a little much. Politics and religion are always touchy subjects. There are many things we can laugh at besides politics. Max did take us on a wild ride. He wrote the dialogue in rhyme, as is the tradition - poetry and comedy all rolled into one. Maybe next year we could find different humor for the 30-year anniversary (Fingers crossed).
Joey Molina as TRUMP
Partly taken from their site: "LA PASTORALE", is a Mexican-inspired Christmas musical, introduced by the Conquistadors way back, when in the 1540s, and features the timeless battle between Lucifer’s (Played by Joey Molina) forces of evil and Michael the Archangel’s (played by Paul J Kruse) champions of goodness - but set in today’s world showing both chaos and hope. Angels and devils do battle with disguises, including Donald Trump, and Batman and his evil nemeses ... like The Riddler, The Joker, and this year we had Wonder Woman.
… The story is a contemporary twist on the traditional story of the shepherds’ journey to Bethlehem, to witness the first Christmas. Called to action by Archangels Michael and Gabriel, (played by Kenia Ramirez) the shepherds face temptation and danger from evil Lucifer and his nasty crew.… ” Tim Paul Evans as Satin - Joey Molina as Lucifer & Rhys Green as Moloch
Mr. Virchis introduced the show in his charming, welcoming persona. The production started off with Crespo the sheep (Vanessa Moreno) leading the audience in a 3-split Jingle Bells sing off.
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Crespo, the Sheep (Vanessa Moreno) ... into the audience
Gabriel (Kenia Ramirez) & Michael, the Archangel (Paul Kruse)
She was awesome! Her BahBahBah was the best ever. I would have sworn they had a recording (did not though). By the way, everyone won! We were invited to sing all the Christmas songs during the show, whether you know the Spanish version or not. I belted out the English version. After all what is Christmas without singing the carols?
After we jingled all our bells, we were introduced to Michael the Archangel (Paul J Kruse). He is amazing, and he was always in character. He was aided by Gabriel (Kenia Ramirez) as they sent the shepherds to be at the birth of the savior. Paul is a strong and experienced actor to the delight of the audience.
After we jingled all our bells, we were introduced to Michael the Archangel (Paul J Kruse). He is amazing, and he was always in character. He was aided by Gabriel (Kenia Ramirez) as they sent the shepherds to be at the birth of the savior. Paul is a strong and experienced actor to the delight of the audience.
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The shepherds marched on and on and on and on all through the production. They had opportunities to do fun chorography.
A picture is worth 1000 words.
A picture is worth 1000 words.
Joey Molina was a wonderfully scary LUCIFER - Just look at that face!
These little devils attempted to knock the shepherds off course, and they seemed to have good repore. They could do an evil laugh with the best of them ... they are the devils you love to hate.
Tim Paul Evans as SATIN, Joey Molina as LUCIFER & Rhys Green as MOLOCH
There were several attempts made by Lucifer (in disguise) on the shepherds, and the angels also in disguise, came to save the day. More fun dances and songs.
Melissa Hamilton as LUST
Lust, is well represented in the form of the tall and intimidating character by Melissa Hamilton. You could tell she was as happy as a pig in mud. You just knew she loved her costume, and she owned the stage from her entrance to the final exit.
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The tableau of the nativity at the end was sweet, as the players became the nativity itself. But they were not done yet!
The children were invited on stage, as a piñata was lowered at center stage and they slugged away.
The children were invited on stage, as a piñata was lowered at center stage and they slugged away.
The cast of around 25 actors (too many to mention by name) did a great job, and I believe the audience felt connected to them, and the story of the birth of Jesus. As I looked around, people were hugging each other and smiling. It has been the same at every show that I have attended. This fun production seems to be heartfelt by the audience.
Worth repeating: LA PASTORELA is a folk-art form and a morality play, that dates back to the beginning of Christianity. During the second century, early Christians in hiding acted-out the Christmas story, to hand it down in the oral tradition.
It survived as an underground movement, until the Emperor Constantine legalized Christianity in the fourth century. It became the country’s most popular form of theatre. More than 2,500 variations are produced south of the border. Almost every city, town and village in Mexico has its own version of LA PASTORELA.
Worth repeating: LA PASTORELA is a folk-art form and a morality play, that dates back to the beginning of Christianity. During the second century, early Christians in hiding acted-out the Christmas story, to hand it down in the oral tradition.
It survived as an underground movement, until the Emperor Constantine legalized Christianity in the fourth century. It became the country’s most popular form of theatre. More than 2,500 variations are produced south of the border. Almost every city, town and village in Mexico has its own version of LA PASTORELA.
Gila and Bato lead the shepherds - while Menja represents the negative point of view ... gloom and doom. Menja & Soledad are at odds. The old women, try to keep everyone on track ... and they “go at it”!
The SHEPHERDS Onward!
This is truly a family tradition, with a cast that features three generations of actors, and is appropriate for all ages.
Don't Miss It in 2018!!
The SHEPHERDS Onward!
This is truly a family tradition, with a cast that features three generations of actors, and is appropriate for all ages.
Don't Miss It in 2018!!
And we are not done yet! There was a wonderful event that happened on stage, shortly after the show. Paul J Kruse and Letty got married. It was extra special for the Lyceum Theatre to host the wedding. Many cast members and others, enjoyed the ceremony and the food that followed.
Paul & Letty Kruse
OK ... I love Paul and I am so happy he found the love of his life. It is extra special for a person to find that special someone, and Paul has been lucky to have had this twice. We lost his first love several years ago, and I know she would be happy that Paul found such a great partner like Letty. . . . Best wishes always!
Find more info on TMM:
Face book https://www.facebook.com/TeatroMascaraMagica
Web http://teatromascaramagica.org/
Find more info on TMM:
Face book https://www.facebook.com/TeatroMascaraMagica
Web http://teatromascaramagica.org/
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